Used to sell ice cream and books for a little while. Jackson Scott: I’ve been playing music since I was 8.ĪJT: What were you doing before the music kicked off? We caught up with the busy tunesmith for a quick round of questions about his new record.Īlex James Taylor: How long have you been making music for? Sounding like a Beach Boys’ record left out in the sun to melt and warp in the heat, Sunshine Redux is a melting pot of genres and influences, as vocals echo into clarity guitars twang and fuzz to form a psychedelic wall of sound that eclipses and liquifies with bold clarity. The musician’s ability to instantly shift gear keeps the record fresh and spontaneous, amplified by his melodic songwriting credentials that form the lynchpins of his sound. Scott’s idiosyncratic pop survives the transition, and in Sunshine Redux it’s sharper and more assertive than ever, from candid acoustic strumming to full on psych odysseys. Not content with simply rehashing his musical heroes, Scott gives it all a hefty spin, filtering old school influences through contemporary production techniques – whether that be multi tracking or vocal modulation -, easing a contemporary flow. Whereas Melbourne was a Frankenstein cut and stick job curating together a collection of songs he had recorded in his ramshackle bedroom, Sunshine Redux represents a more complete vision. But Scott isn’t the type to sit back and admire his handy work. The 21 year old lo-fi auteur released his debut record Melbourne back in 2013, his off-kilter songwriting style and woozy, lethargic melodies gathered swift acclaim. Pittsburgh native Jackson Scott fits this mould. Some musicians view music from an alternative viewpoint, one conceived deep in the subconscious and uninhibited by boundaries.
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